I do my own casting, and much of my sculpture is about this process as much as the creation of a realistic figure: armatures, mold seams, and pieces of the mold itself are revealed and become abstract elements in the finished piece. Figures give the impression that they in the process of being made, or else on the verge of falling apart; a continuum in the never-ending cycle of creation, alteration, and decay.
My newer work is a series of meditations on the lives of animals who are endangered, or else are considered nuisance species, the work is designed to include the shadows of visitors who become a fleeting human presence in the installation.
I studied art at Smith College and earned a graduate degree in sculpture and environmental art from New York University while working there as a graphic designer. Some awards include the Roman Bronze Award from the Pen & Brush Club, the country’s oldest women’s art organization, and an Artist Fellowship in sculpture from the Boston Cultural Council. I have been artist-in-residence at the Frederic Remington Museum, where I made work about the sculptor Sally Farnham, whose work is in the museum’s collection. I was artist-in-residence at Fruitlands Museum in 2016.
My studio is in Stow, MA in the Gleasondale Industrial Park.